@Christoph S this could be interesting to you
youtu.be/8wT-QYm0zlg?is=NDp7Fq…
Links:- Patreon (Support the channel directly!): https://www.patreon.com/Asianometry- X: https://twitter.com/asianometry- Newsletter & Podcast (available thr...Asianometry (YouTube)
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#Gnu #linuxgnuxero.softlibre.com.ar/trisq…
Trisquel 12 Ecne Mate | Gnuxero
Pasaron casi 2 años, mucho trabajo, pero ya tenemos nueva versión de la distribución emblema del Software libre. Según lrikylinux (Gnuxero)
> We’ve heard about upskilling and re-skilling due to AI — but how about de-skilling? A new study published this week found that doctors who frequently use AI to detect cancer in one medical procedure got significantly worse at doing so.
> The researchers set out to discover whether continuous exposure to AI impacted doctors’ behavior when conducting colonoscopy..
>The rate was about six percentage points lower.
> The study was published in The Lancet Gastroenterology & Hepatology journal by medical professionals and researchers in countries including Poland, Norway, Sweden, the U.K., and Japan.
theverge.com/ai-artificial-int…
#HaydenField on
#SalamiAI #SalamiDoctors #AIDeSkilling #SalamiCancer #AICancer
It’s the latest in worrying medical AI headlines.Hayden Field (The Verge)
Eternity by Echoes Of Breath Music is a cinematic musical composition that explores themes of grief, longing, and the persistence of love.Emotional Tone: The...Echoes Of Breath Music (YouTube)
The Breath of Our Ancestors(Der Atem unserer Ahnen)This extended ritual composition explores memory carried through breath — the unseen thread that binds gen...Echoes Of Breath Music (YouTube)
I Rise – A Song About Surviving Abuse & Finding StrengthThis song is for every woman who has ever been broken, silenced, and made to feel small.“I Rise” is a...Echoes Of Breath Music (YouTube)
Conexión y dualidad en las relaciones
La conexión y dualidad en las relaciones románticas representan la unión de dos personas distintas, equilibrando la afinidad emocional con la individualidad, creando a menudo una "dualidad" donde las debilidades de uno son cubiertas por las fortalezas del otro. La conexión genuina fomenta la confianza, aceptación y comunicación, mientras que la dualidad integra mundos, ritmos y formas de pensar dispares para crear una vibración extraordinaria.
Aspectos Clave de la Conexión y Dualidad
Conexión Emocional: Se caracteriza por la presencia genuina, confianza y la sensación de ser visto, escuchado y aceptado tal como uno es.
Dualidad de Pareja (Sociónica): Se describe como una relación donde la cercanía natural permite a los miembros relajarse, sin temor a que sus debilidades sean criticadas. Es una mezcla de dos formas de pensar, estilos de vida y pasiones que crean un equilibrio.
Retos de la Dualidad: Aunque a menudo idealizada, la dualidad también implica retos como la posible dependencia, el estancamiento, o un desajuste en el ritmo de vida.
Integración Interna: La dualidad no es solo externa, sino que también implica la aceptación de nuestros propios conflictos internos (emociones vs. razón, seguridad vs. aventura) para conectar mejor.
Diferentes Enfoques sobre la Dualidad
Relación de "Anam Cara": Se refiere a la idea de almas gemelas o una conexión profunda donde dos personas se sienten iguales, trascendiendo convenciones.
Dualidad como Conflicto: A veces la dualidad representa la lucha interna entre el amor y la duda, o la dicotomía entre "partes dignas" e "indignas" de ser amadas.
La verdadera magia radica en aceptar la dualidad no como una pareja perfecta sin dificultades, sino como la integración de dos seres distintos que deciden complementarse.
¿De dónde vienen los escrúpulos?
De una piedra en el zapato.
Literalmente.
La palabra “escrúpulo” proviene del latín scrupulus, que no significaba otra cosa que :
“Una piedra pequeña y afilada”.
Los soldados romanos lo sabían bien. En sus largas marchas, las piedritas se colaban dentro de sus sandalias (kaligae) y causaban un dolor constante.
Entonces, los legionarios debían decidir:
¿Sigo marchando con dolor… o me detengo para sacarla, arriesgando retrasar a todo el grupo y recibir castigo?
Esa incomodidad constante, ese dilema entre actuar o no actuar, dio origen al concepto de :
“Tener Escrúpulos”.
Con el tiempo, el término salió del ejército y se instaló en la vida civil.
Pero he aquí el giro:
senadores, jueces y políticos romanos no caminaban
Viajaban a caballo, en carruaje o en litera.
Como los políticos de hoy, que van en auto con chofer.
Nunca tuvieron piedras en los zapatos.
Por eso, tampoco tuvieron escrúpulos.
@Christoph S this is for you
mastodon.social/@sundogplanets…
Prof. Sam Lawler (@sundogplanets@mastodon.social)
The last baby was just born! The #BabyGoatCountdown for 2026 is complete! (But don't worry, there will be loads more super cute photos)13 babies from 8 mamas.
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Christoph S reshared this.
The panic is not that people have stopped loving music.
The panic is that people have started doing maths.
They are looking at rent, food, transport, debt, wages, childcare, medicine, exhaustion — and then looking at a concert ticket swollen with dynamic pricing, service fees, parking fees, VIP tiers, merch markups, drink prices, and miserable stadium seats — and saying:
**No. This is not worth my survival.**
And now the industry acts wounded.
“Why are young people killing concerts?”
They are not killing concerts.
They are refusing to bankrupt themselves for joy that has been fenced off, branded, tiered, algorithmically hyped, and sold back to them at landlord prices.
Music did not become unaffordable by accident. It was made that way by the same forces that make housing unaffordable, healthcare terrifying, food expensive, transport unreliable, and rest feel like a luxury. The worker produces the wealth, builds the venues, staffs the bars, drives the trucks, cleans the floors, streams the songs, buys the shirts — and then cannot afford the civilisation built out of their own labour.
That is the obscenity.
They rob people of leisure, then scold them for not participating in culture. They drain people’s lives of joy, then call them boring. They turn every human need into a payment plan, then act shocked when the public begins choosing groceries over spectacle.
People still want music.
They want dance, sweat, sound, communion, romance, rebellion, bass in the ribs, strangers singing the same chorus, the holy little madness of being alive in a room full of noise.
What they do not want is to be treated as wallets with legs.
And here is the great lie cracking open: **the industry is not music.**
The ticket platform is not music.
The promoter is not music.
The stadium is not music.
The brand campaign is not music.
The “cultural moment” manufactured by managers, bots, playlists, and corporate partnerships is not music.
Music is older than markets.
Music survives in small venues, basements, house shows, local festivals, workers’ choirs, queer dance nights, punk rooms, street corners, community halls, bedrooms, garages, churches, warehouses, and friends making strange beautiful noise because they have to.
The collapse of the overfed concert machine would not be the death of music.
It would be the choking of a parasite that mistook itself for the host.
So when they ask why the blue dots are multiplying, why the seats are empty, why the tours are cancelled, why the public is no longer rushing to save the luxury spectacle, the answer is brutally simple:
**You cannot underpay people, overcharge them for survival, and then demand they keep every entertainment empire alive.**
People want lives.
They want beauty.
They want leisure.
They want experiences.
They want music.
But they are tired. They are priced out. They are insulted. And increasingly, they are refusing to confuse participation with submission.
Pay for what genuinely delights you.
Support the artists and spaces that treat people like human beings.
Let the bloated machine tremble.
Music will survive.
The extraction model built around it may not.
## **Blue Dot Fever: The Worker’s Purse and the Death of the Stadium God**
The panic is not that people have stopped loving music.
The panic is that people have started doing maths.
They are looking at rent, food, transport, debt, wages, childcare, medicine, exhaustion — and then looking at a concert ticket swollen with dynamic pricing, service fees, parking fees, VIP tiers, merch markups, drink prices, and miserable stadium seats — and saying:
**No. This is not worth my survival.**
And now the industry acts wounded.
“Why are young people killing concerts?”
They are not killing concerts.
They are refusing to bankrupt themselves for joy that has been fenced off, branded, tiered, algorithmically hyped, and sold back to them at landlord prices.
Music did not become unaffordable by accident. It was made that way by the same forces that make housing unaffordable, healthcare terrifying, food expensive, transport unreliable, and rest feel like a luxury. The worker produces the wealth, builds the venues, staffs the bars, drives the trucks, cleans the floors, streams the songs, buys the shirts — and then cannot afford the civilisation built out of their own labour.
That is the obscenity.
They rob people of leisure, then scold them for not participating in culture. They drain people’s lives of joy, then call them boring. They turn every human need into a payment plan, then act shocked when the public begins choosing groceries over spectacle.
People still want music.
They want dance, sweat, sound, communion, romance, rebellion, bass in the ribs, strangers singing the same chorus, the holy little madness of being alive in a room full of noise.
What they do not want is to be treated as wallets with legs.
And here is the great lie cracking open: **the industry is not music.**
The ticket platform is not music.
The promoter is not music.
The stadium is not music.
The brand campaign is not music.
The “cultural moment” manufactured by managers, bots, playlists, and corporate partnerships is not music.
Music is older than markets.
Music survives in small venues, basements, house shows, local festivals, workers’ choirs, queer dance nights, punk rooms, street corners, community halls, bedrooms, garages, churches, warehouses, and friends making strange beautiful noise because they have to.
The collapse of the overfed concert machine would not be the death of music.
It would be the choking of a parasite that mistook itself for the host.
So when they ask why the blue dots are multiplying, why the seats are empty, why the tours are cancelled, why the public is no longer rushing to save the luxury spectacle, the answer is brutally simple:
**You cannot underpay people, overcharge them for survival, and then demand they keep every entertainment empire alive.**
People want lives.
They want beauty.
They want leisure.
They want experiences.
They want music.
But they are tired. They are priced out. They are insulted. And increasingly, they are refusing to confuse participation with submission.
Pay for what genuinely delights you.
Support the artists and spaces that treat people like human beings.
Let the bloated machine tremble.
Music will survive.
The extraction model built around it may not.
So these two US-ian guys comment on videos about Germany. I see no hype in posting this random thing teh youtube threw at me. You might even enjoy it.
Why Did Nobody Tell Us This About Germany?! 🇩🇪 (Americans React)
“Everything got a whole lot worse once they rolled out AI.” Ken said the company’s executives shifted the blame to staff when they pushed back about AI-fueled productivity decreases."...
While initial drafts were a breeze to create, Ken and his co-workers had to spend more time rewriting, correcting errors and resolving disagreements between each other’s chatbots than if they had never used AI at all.
“Quality decreased significantly, time to produce a piece of content increased significantly and, most importantly, morale decreased,” said the copywriter,
Dear users,
the long time users may still remember that we had a support forum over here on Nerdica.net until the big database accident.
I've set up a new one now at !nerdicanetsupport@nerdica.net
Please feel free to join.
For latest updates you may also follow @order
Plötzlich Facebook-Lobbyistin: Irlands einst höchste Datenschützerin wechselt die Seite
Jahrelang stand Helen Dixon in der Kritik, weil sie als irische Datenschutzbeauftragte zu nachsichtig mit Tech-Konzernen gewesen sei. Jetzt arbeitet sie für eine Anwaltskanzlei, die Meta in Verfahren gegen ihre Behörde vertreten hat. Für Datenschützende kommt das nur wenig überraschend.
Surprised Pikachu!
#lobbying #technetzpolitik.org/2026/ploetzlic…
Kommunikation ohne Internet – und es funktioniert wirklich
Ein tolles Video von Michael DL2YMR zum Amateurfunk. Vielleicht kann man auch dich damit begeistern.
Chris Recon likes this.
@Uwe Leigraf 7910 kHz
7842 kHzDie genaue Position des Spaceline-Senders (Kostinbrod/Petarch)
Die Anlage von Space Line Ltd., die in Fachforen als Quelle für V32 (7910 kHz) identifiziert wird, liegt tatsächlich isoliert im Feld zwischen den Ortschaften Kostinbrod, Petarch und Dragovishtitsa.
The US—they call it NATO, though it was primarily the US—bombed North Korea almost to oblivion. When there was nothing left to bomb, they targeted dams—a major war crime for which Nazi criminals were hanged. Official histories, like the Air Force Quarterly, exult over these bombings. Huge torrents of water flooded valleys, destroyed crops, and killed people dependent on rice for survival. It’s monstrous, the praise for massive war crimes.
jurist.org/features/2026/01/06…
#BombingWaterSupplies #USBombing #WaterSupplyWarCrimes #NorthKorea
As of today, during the night, the backlog of >5 Mio. worker queue items has been resolved and new posts are delivered on time again.
Hopefully it stays that way.
Counter measures were:
- increasing count of CPU cores from 8 to 24 vCPUs
- increasing memory size from 20GB to 65GB
- redundant setup of Friendica behind a load balancer, so that two virtual servers can work on the backlog
Whileas CPU and RAM are back to their old settings, the redundant setup will stay and maybe extended to a third virtual machine.
Voryzen Fire reshared this.
Sorry for the downtime in the last days, but there seem to be an issue with php8.4-fpm which caused the backend being unavailable.
I've now switched to php8.5-fpm and will monitor the site more closely in the next days...
Keith Novak likes this.
There seemed to be a database issue (as in: being slow), so I gave the database more CPU and RAM and moved the data disk from SSD to NVMe...
At least the site seems to be more responsive now, but there is still a backlog of around 5 Mio. items in the worker queue, still increasing...
TRUMP'S "JUSTICE" DEPT Disappears Study that Proves Most Violence is Caused By Far Right Radicals
dailykos.com/stories/2025/9/12…
#PoliticalViolence #usa #unitedstates #rightwingterrorism #rightwingextremists #farrightextremism #rightwing #Doj
While the nation continues to process the shock and grief caused by the murder of far right activist Charlie Kirk, vile and thoughtless MAGA partisans are feverishly endeavoring to politicize the crime, blaming Democrats and liberals for allegedly...Daily Kos
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Github's recent changes broke release downloads but fortunately the wget solution posted in a gh thread about this works on linux.
until wget -c <url>; do :; done
Replacing <url> with the direct link to the file you're downloading.
Darth Tiktaalik 🏳️⚧️ likes this.
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Christoph S
in reply to Carsten Raddatz • • •Carsten Raddatz
in reply to Christoph S • •I had fixed the post with an edit, which may not show in Diaspora*.
Use this: youtu.be/8wT-QYm0zlg?is=m_HVZ2…
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Christoph S and Greg A. Woods like this.
Christoph S
in reply to Carsten Raddatz • • •